Did you know you can collect pastel dust and broken bits, and easily re-form sticks with it? Surprisingly, I learned this rather late. Here’s a quick guide on how to make pastel sticks from broken pastels.
Gathering Pastel Bits and Dust
It’s annoying, I know. Sometimes you’re painting away with your soft pastels, and tiny bits breaks off. Other times, a particularly fragile stick seems to crumble, when painting too aggressively. Maddeningly, these remnants are too small to hold.
Further, while you work, little piles of pastel dust collect on the easel’s shelf. Argh!
Every so often, I used to wipe both the bits and dust away with a damp cloth.
Now, however, I collect it all in little marmalade jars and condiment cups. Pastels are expensive, they will only get more costly, and I was raised to be thrifty.
Squeee! A reason to collect little jars!
As I work on a painting, I sometimes use a lot of similar colors at once. That means the dust that gathers on my easel’s shelf is also similar in color. Other times, I change colors frequently, creating a multicolored dust.
In both cases, every so often I carefully sweep the dust and broken bits into my little jars, sorted by color. (Multicolor dust makes interesting shades of gray.) I store these until I have enough to form a stick.
Tip: Try lining your easel’s shelf with a smooth paper or Glassine. Then, as pastel dust collects, tip the paper every so often into a jar. Tap gently, so the pastel residue slides off the paper without creating airborne dust.
Note: Pastel dust shouldn’t be breathed. Read my complete, no-nonsense guide to Working Safely with Pastels.
How to Make Pastel Sticks from Broken Pastels
Once a little bottle of collected pastel bits gets full enough, it’s time to make a pastel stick.
I live in Germany, so my Distilled Water has a German accent.
Materials
A bottle of collected pastel dust and bits
A small glass, metal, or glazed ceramic bowl
A shot glass, to hold a little water
A teaspoon (with a pointy-tipped handle, if you have one)
(A toothpick if your spoon’s handle isn’t pointy)
Distilled water (distilled won’t add any hard minerals, but regular water will do in a pinch)
A way to create water droplets: a clean pipette (dropper), the tip of a retractable pen casing, a pencil, etc.
A scrap of plastic wrap, smooth paper, or Glassine
A crumpled scrap of paper, opened and laid flattish
Instructions
Put the dust and pieces in the bowl, and crush any clumps with the back of the spoon. Aim for an even powder.
Pour a little water in the glass.
Then, using distilled water and your dropper, apply one drop of the distilled water to the pastel dust. Mix them together using the pointy tip of your spoon’s handle, or a toothpick.
Add more drops one by one, mixing each in well, just until you have a thick paste that sticks together.
Place the paste on a scrap of plastic wrap, or paper, and roll it into a firm stick.
Crumple a scrap piece of paper well, then open it up kind of (but not too) flattish. Place the stick gently on the paper, which will allow air to get under the stick. (You can also finely accordion-fold the paper.)
Let the stick completely air dry. Unless it’s really humid, two or three days should be long enough. (If the stick feels cooler than room temperature, it may still be damp inside.)
Use your new pastel color!
I hope you’ve enjoyed this quick guide on how to make pastels sticks from broken pastels.
This poem, Memento, was in response to a prompt from writer Margaret Sefton, on the Mastodon social media platform. The prompt was for anything in 50 words, using the term “gossamer.”
a film of cobwebs floating in air in calm clear weather
something light, delicate, or insubstantial
adjective : extremely light, delicate, or tenuous
More interesting background for gossamer at Merriam-Webster.
Here’s my poem, followed by the backstory and inspiration:
Memento
She lay headfirst on the table before me, A slight and youthful beauty, Gossamer hair fittingly pale blonde, To match her translucent skin. In 15 years, I never saw another With hair so impossibly fine, Floating into my oiled hands, Unbidden, undesired, and yet … A cherished memory; a muse.
Painting by Friedrich Heyser, ca. 1900, of Ophelia, William Shakespeare’s tragic character from his play Hamlet.
Backstory
For 15 years, I was in (mostly) private practice as a medical massage therapist. Some clients came simply for relaxation, many others for my specialty in pain management. However, my super-rare, very special specialty was in vocal massage therapy. As such, I saw clients with vocal pathologies, resulting from birth disorders, trauma, surgeries, brain tumors, cancers, radiation treatment, and other medical conditions. Further, I worked with professional singers, and folks with speech-heavy professions, like trial lawyers. I did a lot of work around the head and neck.
Now, being a particularly conscientious massage therapist, I was always hyper-aware of getting oil in people’s hair (assuming I was using oil, which wasn’t always the case). This was, unsurprisingly, due to my own experiences. When I went for massages, I’d repeatedly had my freshly-washed hair oiled up by other therapists. Many of them, in fact. I hated it, and could never understand how so many could be so thoughtless. Some of them weren’t just careless around my neck, but they’d purposefully run their heavily oiled fingers through my hair. Subsequently, instead of allowing the oils to condition my body until the evening, I’d have to shower immediately upon returning home, simply because my hair was now an unsightly mess.
Inspiration for the Memento Poem
Fairly early in my career, I practiced medical massage in Georgetown, in Washington, D.C. One day a client came in, and she had the finest, most wispy hair that I have seen, before or since. It wasn’t sparse, just ultra fine and soft. I didn’t know individual strands of hair could actually be so thin. Her hair was shoulder-length, and I wondered if she could grow it any longer, before it succumbed to stress and broke.
Naturally, when this client lay down on my massage table, I was acutely aware of just how fine her hair was. In fact, gossamer was exactly the word that then came to mind. And, indeed, her hair practically floated into my oiled hands, despite my careful attempts to avoid such a fate. Oh, well. I apologized to her, and she said it didn’t matter.
But apparently it did, at least in my memory. Her hair was so remarkable, I’ve never forgotten it. She reminded me of so many beautiful, pensive, even sad paintings of lovely young women, like the one of Ophelia I include above.
And now she’s inspired my little poem, Memento. It’s short, but I hope you enjoyed it!
Welcome to my artist’s newsletter #2, I’m delighted you’re reading this. Let’s start with…
Results
A Breakthrough! The last month, I’ve been reflecting, writing, researching, and experimenting. In doing so, I’ve found the key to unlocking a creative block I’ve combated for 30+ years! I’ve never had any problems with photography, but I’ve had decades of struggle with painting, and with my identity as an artist. Combining photography and painting, is proving to be the answer. The outcome is that I’m motivated, feeling very positive and possibility-minded, and have been immersed in creative action. I’ve also been blogging like wildfire, as you’ll see below.
News
Featured! I’m delighted that an image of mine was featured in an article highlighting rural photos, by Glass! In my related blog post, I dive into why rural is important to me, share a few more of my submissions, plus 18 terrific photos by other Glass photographers. Take a look.
Wallpaper for your desktop or tablet.Download three wallpapers at the web version of this newsletter (fits screens up to 2560 wide). [This is a benefit for people who’ve signed up for my artist updates. I invite you to sign up, too! Learn more here.]
Inspiration
Mentors. Since 2020, I’ve had an informal mentor in the wonderfully thoughtful and brilliant Edo Amin. Now, I have a second mentor, a professional photographer who I’ve become acquainted with online. I am so thankful! If you’re considering finding a mentor (multiple mentors are recommended):
Interact with more with people you look up to, in-person or online. A casual mentor is likely to appear.
Challenges
Thoughts on Copyright Protection — I am concerned about art theft. Here, I discuss types of copyright, intellectual property rights and protection, as well as infringement and enforcement, with pointers to helpful resources. (This blog post got a thumbs up from a copyright lawyer.) Read more.
Shutter Happy: A Tale of Too Many Photographs — We’ve been traveling a lot, which led to this post. How does one balance the easy creation of photos, with the reality of sorting, storing and processing them? Get some tips. Read more.
Techniques
I’ve been quite busy conducting tests and blogging about…
Experimenting with Painting on Photos
Part 1 — Where I explore professional printing services, fine art papers, painting methods, supplies, and execute my first little experiment … which was a complete failure.
Part 2 — Next, I devise a plan, and share my second set of experiments. The process was very informative.
Part 3 — Experience experiment frustration with me, learn some fun personal info, and harvest all the takeaways, without all the hassle.
I Appreciate You!
Thanks for reading. Feel free to reply to this email with questions or comments. It’s great that you let me keep in touch with you!
An announcement: I have been included as a featured photographer by Glass, in an article of curated photographs! 🥳 It was a mild and friendly form of competition, and I am thankful for the honor.
What is Glass?
Glass is an app and web site, where photographers gather to share their work, interact to offer praise and helpful feedback, and—soon—connect in person through worldwide, in-person meetups. It’s one of two social media platforms I use (the other being Mastodon), and I appreciate that it’s non-commercial. Glass also has no algorithm, other than the one you create and control by choosing which photographers you wish to follow. There is a free trial period, then a monthly subscription, which keeps it private and commercial-free. If you’re curious what I’m posting there, see my Glass account.
Featured Prompts
Every month, the makers of Glass announce a new category prompt, selected from user suggestions. Photographers get busy sharing relevant images. At month’s end, Glass publishes an article of the curated highlights by featured photographers.
June 2023’s category was “Rural,” and there were many interesting submissions selected for the curator’s favorites. If you’re eager, you can jump to the rural photos below.
Miss Flower Child, or: How I Learned to Stop City Living and Love the Country
Frankly, Rural is one of those categories that’s right up my alley. Despite spending most of my first 20 years in urban areas—Frankfurt, Bangkok, Washington D.C., we also lived for three years in the Virginia countryside, close to the Shenandoah River. I was a young person then, three to five years old, and formed my earliest memories among shady woods, rolling hills, deer, bears, lightening bugs, chipmunks, salamanders, spiders, and foxes.
As an aside, do you know that horrible song, “What Does the Fox Say?,” by the Norwegian band, Ylvis? I know what the fox says. Likewise, so does anyone who has lived around foxes during mating season. Evidently, Ylvis didn’t do their research!
Anyway, our family spent a lot of time in national parks, picnicking, camping and hiking. Similarly, I did all the usual Girl Scout activities. At about nine, I discovered the early albums of John Denver, a champion of rural. I was in love.
Perhaps I should explain the heading above. I was born in Germany, to German parents, who were among the very first hippies in Frankfurt. Fittingly, it was the Summer of Love. They’d married, but weren’t ready to be parents, or to stay together. I was eventually adopted away by a wonderful American couple, who’d been living in Germany for some years. Decades later, after my (adopted) dad died, mom told me that they would privately refer to me as their “little flower child.” (Comparatively speaking, it’s turned out that I’m a burner, rather than a hippie, but both are non-conformist.)
Cosmopolitan, with Rural Roots
People are often surprised to learn that my adopted dad was the son of sharecroppers, grew up picking cotton in Arkansas, and went on to travel to over 200 countries during his career as a diplomat. (It’s a story!) Conversely, mom grew up in Washington, DC, the daughter of a stylish divorcée, but her roots were Pennsylvania Dutch.
Naturally, we got even more rural goodness visiting relatives. I remember riding in the car on long road trips, with my nose practically pressed against the window, looking at all the scenery passing by. Soon enough, my brother and I were trampling farm fields, wading in streams, exploring woods, and poking around abandoned houses and barns. Further, there were feral cats, butterflies, horses, praying mantis eggs, owls, earthworms, newts under river rocks, and birds nests with eggs.
Ah, the joys of childhood. Be that as it may, it befuddled me that Arkansans might think me weird for wanting to draw designs on my face, with makeup pencils. Didn’t they understand artists? NO? Well, I was there to teach them … at the ripe old age of eleven.
Unsurprisingly, with all that exposure to nature, I came to deeply appreciate its sublime beauty. The wilder, the better. For that reason, my personal mantra became, “I want the world to be wild, and I want to be wild in it!” (If only that could have come true…)
Rural in Europe
Following my childhood, I have spent 22 years living in rural locations as an adult: on mountains, near rivers, and among farmlands. In fact, the last place I lived in the US was West Virginia. Almost heaven indeed, save mountaintop removal and illiberal politics.
Now that I reside in Germany, I am surrounded by about 420 kilometers of vineyards; roughly 70 km north-south and 6 km east-west. With mountains in view, I’m again in heaven. Yes, the US has more remote wilderness than Europe. Nevertheless, with houses gathered in villages, towns and cities, there is still plenty of European countryside: great forests, amazing parks, and drop-dead gorgeous vistas.
I’m lucky that my German husband loves to show me some of the beauty Europe has to offer. I take my camera virtually everywhere we go.
My Featured Photograph
For example, on a recent trip to Italy and Switzerland, I shot the photo that was included in the Glass article. This is it:
More Rural Photographs, by Other Glass Photographers
I like sharing the limelight, so here are other photos from the Rural prompt, this time by fellow photographers. There is only a little bit of overlap with the Glass featured photographers, and I felt these deserve more eyes, too.
Please see the captions for the photographer’s name, and a link to more of their work. I have included these by permission.
Welcome to my first artist’s newsletter, I’m delighted you’re reading this.
News
Photo, meet poetry. I started a new artist’s blog too! Despite being the beginning, I called the inaugural post Endings: first a photograph, then a poem. If the coupling of images and words also floats your boat, check it out.
Wallpaper for your desktop or tablet. Download higher resolution versions of the following photos (click any you want, fits screens up to 2560 wide): [This is a benefit for people who’ve signed up for my artist updates. I invite you to sign up, too! Learn more here.]
An experiment. Over the last few months, I’ve considered mixing photography with painting. This week, I ordered samples of photographic prints on various papers and substrates, as well as a proof of a larger print. When these arrive (should be in about 10 days), I will test them with a few media—starting with soft pastel and fixative—and see how they work together. I’m excited about this new direction! Watch for future developments.
Techniques
Tips: If you too are an artist or photographer, two of my blog posts in the last month might be of interest:
Strategic Photo Posting on Social Media – Whether you’re a professional or hobbyist, you can benefit from strategic photo posting. Having clarity on what you want to be known for directs your choices, significantly improving the impression you make. read more
Benefit from Standing Back – Artists learn to take a few steps back from their work, to assess progress. Photographers benefit from this same technique, when selecting possible works to share, and when processing photos. Learn why and how you can use this technique. read more
Challenges
Rejection as motivator. Last week I applied to participate in an open studio event, happening this fall. This week I received a rejection notice. The worst part is, I wouldn’t have approved my application either. I’ve let photography take precedence over painting this last year.
My takeaway? The work towards painting accomplishment needs to get back on track, so I moved some art supplies from my smaller upstairs studio into my second, much bigger studio space. Today I began putting pastel to paper, in a larger format than I’m used to, and will be experimenting with different techniques to expand my multimedia repertoire.
Results
Appreciation. Contrary to every experience I’ve had on other social media, I adore Mastodon. In less than 6 months I’ve garnered 600+ followers, made lovely online acquaintances, seen terrific work, and learned new things. The littler pond allows one to be a bigger fish, which is good for the artist ego. Appreciation stokes creativity.
I appreciate you, too! Thanks for reading. If you’ve poked around my web site and have questions about any of my creations, want to know more about Mastodon or Glass, or have constructive feedback about my work or this newsletter, feel free to reply to this email [contact me]. It’s great that you let me keep in touch with you!
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